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Exploring Reggaeton Music and Dances

Reggaeton is a type of urban music that has become widespread in popularity among young music lovers in Latin America, North America, Europe, Asia, and Australia. Reggaeton music originated in Panama and caters to Hispanic youth, with rapping and singing often in Spanish. The music is a blend of Jamaican style music such as dancehall and reggae and Latin America style music such as salsa, bomba, plena, merengue, bachata, hip hop, bolero, R&B, and Latin pop.

Reggaeton music boasts its own specific rhythm and beat. The rhythm of reggaeton is often referred to as “Dem Bow.” The name Dem Bow references the title of a dancehall song from the 1990s by Shabba Ranks. Though the music genre of reggaeton is mostly associated with Puerto Rico (where this style of music was popularized and became famous), the lyrics are more hip hop type lyrics than dancehall.

The Beat of Reggaeton

It’s the reggaeton beat, or Dem Bow, that drives the music and dances. The beat is described as a drum-machine track that originated with Jamaican dancehall rhythm. Reggaeton combines a syncopated snare and steady kick drum to create an unusual rhythm. There’s a 4/4 beat emphasized by the kick drum, and the snare starts with the “and” of the 3rd 8th note and right on the 4th 8th note. There are about 95 beats per minute, and the result is a magnified “boom-ch-boom-chick” sounding beat.

Reggaeton beat sounds are usually synthesized electronically. There are also simple melodies created with electronic instruments, keyboards, and electric guitars. The beats are versatile, and can be based on bolero, hip-hop, salsa, merengue, bachata, or other similar beats.

The Reggaeton Dance

Sensual (and controversial) dancing can often be seen in reggaeton clubs or on music videos. The perreo type dance is a form of grinding dance derived from Puerto Rico. The dance puts women in control of the dance and is very provocative in its nature. Perreo moves are popular in dancehall, rhythm and blues, and hip-hop music as well. A slightly calmer form of reggaeton dancing is cumbia, which was originally a folk dance and music from Colombia. Like perreo, the cumbia dance is flirtatious in nature with the women luring the men toward them and then pushing them away.

Some of the leading artists in reggaeton include CandyMan, Esko, Fito Blanko, Nicky Jam, La Fabrica, Don Miguelo, Daddy Yankee, De la Ghetto, DJ Blass, Baby Rasta & Gringo, Don Chezina, Lito & Polaco, Eddie Dee, Adassa, El Chombo, and Tony Touch. Some popular producers of reggaeton music are Eliel, Luny Tunes, and Noriega.

With the widespread popularity of reggaeton music, there are now many radio stations specializing in this type of music. There are also online radio venues where fans can download music, listen online, or watch the reggaeton music video of choice. The major benefit of online radio is fans can listen to their favorite music or watch their favorite videos around the clock.

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Free iPod Downloads – Entertainment In Your Palms

ipod

I don’t like free music because my pockets are filled with wrappers, receipts and lint, although admittedly, seeing as how I know no other existence, its difficult to really be sure about that.  No, the reason I like free music is because I am inherently a fan of purity and origin and intention.  I understand the realistic makeup of the world we live within and that everyone needs to pay their electric bill; and that’s why I’m not here to criticize revenue-garnering music (although I think that everything has reasonable limits).  But, I would like to strongly emphasize my love and appreciation for free music.  It seems to me that the word “free” is a double-entendre.

And surprisingly enough, helping further this free spread of artistic expression is none other than the ipod.  I make the preceeding sentence appear in a sense of surprise because the music industry along with Apple have been quite concerned with the future of recorded music, due to free downloading, but that’s just one side of ipod’s story.  The nature of apple computers, conducive to artistic creation, has allowed all sorts of amalgams of new and old technology come together in new forms of music; and the ipod is helping to spread the works to anyone who would like to listen. 

Several artists have begun to experiment with the new capabilities using their Macs, instruments and ipods.  To a good deal of them, it’s about the music, and they have thusly put their music online as free ipod downloads.  These are completely legal, as they have not only the consent, but also the encouragement of the creators.  This is a side of free downloading that should be giving all persons involved with music something to smile about.  To music aficionados, its really the way that things are supposed to be, for the musicians it gives them a forum from which to extend their craft and for the executives, it can mean that people are getting excited about music again. 

Who would have thought that the esoteric nature of my passion for free music would be represented and carried by something like free downloading on your ipod (a previously dirty secret that had all sorts of difficult paradoxes).  No matter, I just want to let the music ring.

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Alternative Rock Band Soul Asylum Bio

Soul Asylum was an outgrowth of a previous band, Loud Fast Rules, formed in 1981 by guitarist and vocalist Dave Pirner, guitarist and backing vocalist Dan Murphy, bassist Karl Mueller, and drummer Pat Morley. Soul Asylum began performing around the Minneapolis-St. Paul area and they quickly developed a core following. Pat Morley was later replaced by Grant Young in 1984.

Shortly before the group signed with Twin/Tone Records in 1984, they had changed their name to Soul Asylum. They released their debut album, Say What You Will in 1984 and quickly developed a core following and became known for their powerful, dynamic stage shows. Although the young band’s inexperience was apparent, the album was a hellafied post-punk romp. Unfortunately it was largely overshadowed by releases from fellow Minnesotans Husker Du and the Replacements.

1986 was both a productive and distressing year for the band. Early in the year they released Made To Be Broken, an album that showcased their growth as musicians. After touring for several months and releasing a collection of outtakes and live tracks called Time’s Incinerator, the band recorded and released their third album, While You Were Out before year’s end. A collection of smartly written punk songs, the album received good reviews, but once again failed to break through to a national audience.

The improvements in the band were enough to get them their first major label contract. The band signed to A&M in 1987 and released Hang Time the following year, a stunning, riff-heavy record that finally provided the band the sound it deserved. However, after playing a series of acoustic shows in the early 1990′s Soul Asylum was picked up by Columbia Records.

In 1992 they released Grave Dancers Union, which became their most popular album. The magical third single, “Runaway Train,” propelled by a public service announcement-style video for missing children, helped push the single to number five and the album to number 11, and turned the band into a household name. The next year, Soul Asylum received the Grammy Award for Best Rock Song for “Runaway Train.”

Soul Asylum’s 1995 release, Let Your Dim Light Shine, saw the track “Misery” reach the Top 20, followed in 1998 by Candy from a Stranger which would be their last studio album on Columbia Records.

In May 2004, bassist Karl Mueller was diagnosed with throat cancer and underwent treatment. Karl Mueller’s diagnosis hastened the band’s resolve to commit another album together. His insistence on finishing the record became the driving force behind (and in front of) its completion. Karl Mueller recorded his last Soul Asylum album that year (2006′s The Silver Lining). However, the cancer later returned, and he died at his home on June 17, 2005.

Renewed and revitalized, Soul Asylum founders Dave Pirner and Dan Murphy returned to rock’s front line with the July 2006 release of The Silver Lining, their first studio release of new material in 8 years since Candy from a Stranger. The Silver Lining, Soul Asylum’s ninth full-length album is every bit as quirky and off-centered rock as their fans have come to expect, an indication that the Minneapolis-bred band has lost none of its edge hardcore.

The album was not as commercially successful as some had hoped and the band was dropped from Columbia Records’ roster. Pirner said, “It’s sort of sad to say, but you could see the whole grunge-rock-band thing getting totally over-saturated and people were looking for something new.” The band took a step back.

Soul Asylum completed their American tour in support of The Silver Lining in late 2006. In November and December 2006 they opened for Cheap Trick on their American tour. On March 10th, 2007, Soul Asylum joined Cyndi Lauper, Mint Condition, and Lifehouse to hold a concert to benefit Wain McFarlane, the leader of the legendary reggae band Ipso Facto, to help pay for the expenses of a kidney transplant.

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